Pot Calling Kettle Black Metal

Black metal can be a strange place: at times, it’s more acceptable to remain boring and unknown than be ambitious and heard.

From that strange place, Pitchfork



Audition Review

Evil prankster Takashi Miike wants sole rights to your nightmares with this film. It’s based on a novel by Ryu Murakami, the one who did not write Norwegian Wood. The first half of the film unfolds gracefully and may even remind you of your favorite Murakami. Aoyama (Ryo Ishibashi) is a lonely widower living with his teenage son. He runs a film production house with his friend Yoshikawa. His son urges him to find a new wife and agreeing wholeheartedly Yoshikawa persuades him to set up a fake screen test to find a demure obedient wife. Many applicants and insulting questions later, their talent search ends when Aoyama meets a former ballet dancer, Asami (Eihi Shiina). One of the film’s neatest tricks is to convince you of Aoyama’s nice guy-ness. Even when he casually discards his house keeper/bed warmer for the prettier new model, he makes it look less scummy than it really is.

Everything seems to be going nicely and Aoyama is all set to begin a new life with Asami. Miike fills the edges with a sense of impending dread and drops in some truly creepy scenes, so you know it’s going to get dark — and yet that knowledge will not stop you from getting knocked out silly by the dynamite third act.

Fun Fact: Miike has denied that the film is meant as social criticism.

Director: Taakashi Miike
Rating: 5/5

Inside (À l’intérieur)

À l'intérieur Review

This home invasion film features a very pregnant Sarah (Alysson Paradis) and a scissors-wielding La Femme (a very scary Béatrice Dalle) who wants to cut out the baby for herself. Sarah doesn’t care for this alternative birthing method and locks herself in the bathroom. La Femme spends the waiting period by redecorating the home with blood and body parts of the hapless visitors. And then, things kick in high gear.

If you are a gorehound, this is the movie for you. Even if you aren’t, you may want to stick around for the first half. It will show you Alexandre Bustillo and Julien Maury’s gift for creating unbearably tense moments.

Directors: Alexandre Bustillo and Julien Maury
Rating: 3.5 / 5